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Spring Arts Preview 2023: Music critics’ picks

This past week Vancouver looked more like an Arctic winter wonderland than one of the most famously mild and temperate cities in Canada. There were upsides—because of the swaths of 1984’s Amadeus take place in snowy Salzburg, there’s something oddly soothing about shoveling a walkway to the film’s best-of-Mozart soundtrack. That said, enough already. Bring on the spring and the following musical highlights because, it’s as beautiful as the snow can be, sometimes you’re ready for the sun and the flowers.

Pop Cappella III

At St. Andrew’s-Wesley United Church March 3-4

Working with composer Marie-Claire Saindon and Vancouver A-listers like bassist Jodi Proznick, pianist Ken Cormier, and percussionist Liam MacDonald, Chor Leoni finds the sweet spot between choral music and classic pop. The Draw: Reimagined versions of the songs that make the basis for a great road-trip playlist no matter what your age, including smashes by Adele, Simon & Garfunkel, Kate Bush, BTS, and, believe it or not, AC/DC.

The Rites of Spring

At the Orpheum March 10 and 12, and the Bell Performing Arts Center on March 11

It sounds like something from the fantastically horrific midsommar: as part of a series of spring rituals that might charitably be described as primitive, a young girl is chosen to be a sacrificial victim, and then proceeds to dance herself to death. There’s a reason the then-avant-garde The Rites of Spring sent shock waves through Paris when it debuted in 1913. Here the VSO not only dives into Igor Stravinsky’s epic masterpiece, but expands on the theme of seasonal renewal with Rodney Sharman’s After Schumannand Blooma double-koto-centred new work by Japanese-Canadian composer Rita Ueda. The Draw: It’s been a long dark winter, where Netflix and the couch have been your two best friends. Now’s the time to officially start celebrating spring, focusing on the idea of ​​starting fresh rather than, you know, dancing yourself to death.

Our Hearts in the Highlands

At Christ Church Cathedral on March 11

If your idea of ​​a perfect night at St. David’s Hall includes “Cymru Fach” and “Loch Lomond” then the Vancouver Welsh Men’s Choir speaks your language—in this case, two of them. Featuring songs in Welsh and good olde English and directed by Jonathan Quick, Our Hearts in the Highlands helps kick off the 2023 edition of Celtic Fest, which will have music, art, crafts, and other activities centered this year at the Vancouver Art Gallery March 17-18. The Draw: While, admittedly, a packed-to-the-walls Dundee pub would be a truly unbeatable setting, there’s also something magical—and spiritual—about the idea of ​​singing along to “Skye Boat Song” at Christ Church.

Angele Hewitt.

Angela Hewitt: Bach, Brahms, and Scarlatti

At the Chan Center for the Performing Arts on March 12

While classical doesn’t get much bigger than two of the names here, Canadian piano legend Angela Hewitt joins Early Music Vancouver to turn the spotlight on the lesser-known Doménico Scarlatti. Works of the 18th century Italian piano virtuoso will lead off the programme, after which Bach’s English Suite No. 6 in D minor and Brahm’s Sonata in F minor Op. 5 take center stage. The Draw: Great as it is to see Scarlatti’s work getting the attention it deserves, there’s a reason Hewitt is considered one of the world’s foremost interpreters of Bach.

Zakir Hussain and Masters of Percussion

At the Orpheum on March 19

If not for the long and deservedly celebrated history of the showcase, Zakir Hussain might be seen as cockily overpromising with the very name of his Masters of Percussion traveling caravan. But with a lineup that includes Indian Sarangi royalty Sabir Khan, French djembe ace Melissa Hié, dholak virtuoso Navin Sharma, and Columbia’s multi-talented Tupac Mantilla, one would be hard-pressed to come up with a better title for the showcase. The Draw: In the driver’s seat for Masters of Percussion is Hussain, who’s collaborated with everyone from Mickey Hart to the Symphony Orchestra of India, taught at Princeton and Stanford, and been named “Best Percussionist” honors more than once by the critics at publications like Downbeats and Modern Drummers.


At the Orpheum on April 2

Calgary-raised piano great Jane Coop joins the Vancouver Chamber Choir to celebrate the return of the season famous on the West Coast for miles of tulips, Instagram-ready cherry-blossoms and, best of all, more than 16 seconds of sun per day. Centered around the idea of ​​rejuvenation, SPRINGTIME fittingly features three new works: The VCC–commissioned Ay li lu (somewhere in infinity) by Swedish composer Jacob Mühlrad; the four-movement Blake’s “Seasons” by Toronto-based Colin Eatock; and a piece by Iman Habibi jointly commissioned by Coop and the VCC. The Draw: Take one of the country’s longest-running choral ensembles (the Vancouver Chamber Choir is celebrating its 49th season) and then add a Canadian classical giant in Coop. That the trees and flowers will be adding a much-needed splash of color to the city as you head to the Orpheum doesn’t hurt either.

The Vancouver Bach Choir.

Beethoven’s Missa Solemnis

At the Orpheum on April 8

Not only considered one of Ludwig Van Beethoven’s most important and respected works, Miss Solemnis is also seen as the greatest mass this side of Bach’s Mass in B Minor. By turning spine-chillingly bombastic and quietly sublime, this piece will serve as a backdrop for Easter Weekend, with the Vancouver Bach Choir joined by the West Coast Symphony Orchestra. The Draw: Consider all that Beethoven accomplished in life—only starting with Symphony No. 9, Symphony No. 5and Violin Concerto in D—and then think about the fact that Miss Solemnis holds its own against his beloved immortals.

The Flying Dutchman

At the Queen Elizabeth Theater April 29-May 7

Depending on one’s tolerance for giant waves, fresh salt-water air, and seafood, it sounds like either a beautiful fever dream or the worst thing this side of a spring of 2020 PANDEMIC boat cruise. In Richard Wagner’s The Flying Dutchman the title character is a sea captain stuck on a ghost ship for eternity, his one break on land coming every seven years, when he has a window in which to fall in love and break the cycle. The problem? Being able to find true love instantly isn’t easy when you’re basically at sea 24-7 and no one has invented Tinder yet. Les Dala conducts and Greg Dahl stars in this Vancouver Opera production directed by Brian Deedrick. The Draw: Everyone loves a ghost ship—until you’re trapped on one.